american landscape painting

them and kept them pressing on—across swamps and blasted fields and past indolent, alien streams. This enemy was labeled Aggressor, on maps brightly spattered with arrows and symbolic tanks and guns, but although there was no sign of his aggression he fled them nonetheless and they pushed the sinister chase, sending up shells and flares as they went. Five hours' pause, five hours in a tent somewhere, lent to the surrounding grove of trees a warm, homelike familiarity that was almost like permanence, and he left each command post feeling lonely and uprooted, as they pushed on after the spectral foe into the infinite strangeness of another swamp or grove. Fatigue pressed down on his shoulders like strong hands, and he awoke in the morning feeling weary, if he ever slept at all. Since their constant movement made the sunlight come from ever-shifting points of the compass, he was often never quite sure—in his steady exhaustion—whether it was morning or afternoon. The displacement and the confusion filled him with an anxiety which would not have been possible six years before, and increased his fatigue. The tent itself, in its tiny, momentary permanence, might have had all of the appeal of the Homewhich he so desperately hungered for, had it not been so cold, and had it not seemed, as he sat there suddenly shivering with fear, so much more like a coffin instead.
Then it occurred to him that he was actually terrified of the march, of the thirty-six miles: not because of the length—which was beyond comprehension—but because he