acrylic landscape painting

"I've tried," Culver repeated, "but I just can't get used to sleeping on the ground any more. I'm getting old and rheumatic. Anyway, the Old Rock was in here for about two hours before you came, using up my sack time while he told the Major and O'Leary and me all about his Shanghai days."
"He's a son of a bitch." Mannix morosely cupped his chin in his hands, blinking into space, at the bare canvas wall. He was chewing on the butt of a cigar. The glare seemed to accentuate a flat Mongoloid cast in his face; he looked surly and tough and utterly exhausted. Shivering, he pulled his field jacket closer around his neck, and then, as Culver watched, his face broke out into the comical, exasperated smile which always heralded his bitterest moments of outrage —at the Marine Corps, at the system, at their helpless plight, the state of the world—tirades which, in their unqualified cynicism, would have been intolerable were they not always delivered with such gusto and humor and a kind of grisly delight. "Thirty . . . six ... miles," he said slowly, his eyes alive and glistening, "thirty . . . six . . . miles! Christ on a crutch! Do you realize how far that is? Why that's as far as it is from Grand Central to Stamford, Connecticut! Why, man, I haven't walked a hundred consecutive yards since 1945. I couldn't go thirty-six miles if I were sliding downhill the whole way on a sled. And a forced march, mind you.