Sandro Botticelli La Primavera painting

round Victorian grate. The air was heavy with the smell of chrysanthemums, there was a gilt clock under a glass case on the chimneypiece and everywhere in the room stiff little assemblages of china and bric-a-brac. One might expect to find such a room in Lancaster Gate or Elm Parkwhere the widow of some provincial knight knits away her days among trusted servants. In front of the fire sat an old lady, eating an apple.
“My dear, this is Mr. Vaughan, who is going to take Stayle abroad—my sister, Lady Emily. Mr. Vaughan has just driven down from London in his motor.”
“No,” I said, “I came by train—the twelve fifty-five.”
“Wasn’t that very expensive?” said Lady Emily.
Perhaps I ought here to explain the reason for my visit. As I have said, I am not at all in the habit of moving in these exalted circles, but I have a rather grand godmother who shows a sporadic interest in my affairs. I had just come down from Oxford, and was very much at a loose end when she learned unexpectedly that the Duke of Vanburgh was in