mona lisa painting

against the, west. I lingered till the sun went down amongst the
trees, and sank crimson and clear behind them. I then turned eastward.
On the hill-top above me sat the rising moon; pale yet as a
cloud, but brightening momentarily, she looked over Hay, which, half
lost in trees, sent up a blue smoke from its few chimneys: it was
yet a mile distant, but in the absolute hush I could hear plainly
its thin murmurs of life. My ear, too, felt the flow of currents; in
what dales and depths I could not tell: but there were many hills
beyond Hay, and doubtless many becks threading their passes. That
evening calm betrayed alike the tinkle of the nearest streams, the
sough of the most remote.
A rude noise broke on these fine ripplings and whisperings, at once
so far away and so clear: a positive tramp, tramp, a metallic clatter,
which effaced the soft wave-wanderings; as, in a picture, the solid
mass of a crag, or the rough boles of a great oak, drawn in dark and
strong on the foreground, efface the aerial distance of azure hill,
sunny horizon, and blended clouds where tint melts into tint.
The din was on the causeway: a horse was coming; the windings of
the lane yet hid it, but it approached. I was just leaving the
stile; yet, as the path was narrow, I sat still to let it go by. In