Tuesday, October 28, 2008

George Stubbs Whistlejacket painting

mooi touch-me-not plants grew at the foot of the tree of his own, the walnut-tree that Changez had planted with his own hands on the day of the coming of the son. Father and son at the birth-tree were both awkward, unable to respond properly to Nasreen's gentle fun. Saladin had been seized by the melancholy notion that the had been a better place before he knew its names, that something had been lost which he would never be able to regain. And Changez Chamchawala found that he could no longer look his son in the eye, because the bitterness he saw came close to freezing his heart. When he spoke, turning roughly away from the eighteen-year-old walnut in which, at times during their long separations, he had imagined his only son's soul to reside, the words came out incorrectly and made him sound like the rigid, cold figure he had hoped he would never become, and feared he could not avoid.
"Tell your son," Changez boomed at Nasreen, "that if he went

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