claude monet paintings

finding it useless to attempt shaking the creature off, I pulled its wrist on to the broken pane, and rubbed it to and fro till the blood ran down and soaked the bedclothes: still it wailed, `Let me in!' and maintained its tenacious grip, almost maddening me with fear. `How can I?' I said at length. `Let me go, if you want me to let you in!' The fingers relaxed, I snatched mine through the hole, hurriedly piled the books up in a pyramid against it, and stopped my ears to exclude the lamentable prayer. I seemed to keep them closed above a quarter of an hour; yet, the instant I listened again, there was the doleful cry moaning on! `Begone!' I shouted, `I'll never let you in, not if you beg for twenty years.' `It is twenty years,' mourned the voice: `twenty years. I've been a waif for twenty years!' Thereat began a feeble scratching outside, and the pile of books moved as if thrust forward. I tried to jump up; but could not stir a limb; and so yelled aloud, in a frenzy of fright. To my confusion, I discovered the yell was not ideal: hasty footsteps approached my chamber door; somebody pushed it open, with a vigorous hand, and a light glimmered through the squares at the top of the bed. I sat shuddering yet, and wiping the perspiration from my forehead: the intruder appeared to h?' I considered it best to confess my presence, for I knew Heathcliff's accents, and feared he might search further, if I kept quiet. With this intention, I turned and opened the panels. I shall not soon forget the effect my action produced.
Heathcliff stood near the entrance, in his shirt and trousers: with a candle dripping over his fingers, and his face as white as the wall behind him. The first creak of the oak startled him like an electric shock! the light leaped from his hold to a distance of some feet, and his agitation was so extreme, that he could hardly pick it up.